You Me At Six - Sinners Never Sleep

It was hard to imagine that the Surrey lads would be able to grab the hat trick, but third album, Sinners Never Sleep, did that and then some.

Formed in 2004 in Weybridge, Surrey, You Me At Six have made leaps and bounds for the British music scene. 2008 saw the rampant success of album Take Off Your Colours, and fans weren’t disappointed with it’s follow up, Hold Me Down, in 2010.

Over the past couple of the years there have been so many reasons to be proud to be British. Our small country is showing its true might in so many ways it’s almost hard to keep up with it. But here is something you can, and should, follow.

The British rock music scene has always been something to be proud of but perhaps never more so then now. Bands like The Blackout, Kids In Glass Houses and Bring Me The Horizon have been flooring fans for years and growing and developing all the time. You Me At Six have been heading this scene for eight years, and those boys next door have done it with style.

Sinners Never Sleep hit the shelves on October 3^rd 2011. It dramatically showcases the heavy aspect to this formally soft band whilst also throwing in some mellow gems for balance.

Prime single, Loverboy, is the perfect way to open this album. Opening with an almost menacing chant that excites to the core, this song is moulded perfectly for the upcoming live shows. It’s a perfect example of the angry arrogance that this band typically oozes. It’s normally a trait worthy of criticism but front man, Josh Franchesci, well and truly gets away with it. How? By showing every nice guy that’s finished last that in this somewhat depressed country you can still be whoever you want to be.

And there is plenty of finishing last in this album. This Is The First Thing and No One Does It Better are flawless paradigms of love gone wrong. They highlight every feeling and every thought of a rough break up that leaves you feeling empty. Ironically, this is how You Me At Six are winning the race to capture the hearts of Britain’s youth.

One thing You Me At Six have always been spectacular at using is cameo appearances. Josh is no stranger to lending his voice to a track or two (see The Blackout, This Is Why We Can’t Have Nice Things, you won’t regret it.) Indeed, there were a crazy amount of rumours before the albums release about who would appear. Hayley Williams perhaps? Adele even! Well, both would have been fantastic but, unfortunately, neither appeared. One rumour that did come to fruition was Bring Me The Horizons Oli Sykes. Boy, did he do a good job. Track Bite My Tongue is another anger fuelled stormer with a horror themed video to match.

Second appearance was from Parkways Drive’s Winston McCall whose borrowed vocals on Time Is Money gives this album a double whammy of screaming gold.   

But don’t be deceived! Just when you think this album is the heaviest yet some happy bouncing comes into play with track Reckless. If you haven’t seen this song played live then you are probably unaware of what real gig bruises look like. Never before has this band had a tune to make a whole academy jump in unison quite like this. This song is a massive ‘screw you’ to every boyfriend or girlfriend that as royally messed up, in a rather impressive way, and regretted it. A prime example of how You Me At Six really do try their best “to always be in your mind.”

Play.com announced in August 2011 that pre-orders for Sinners Never Sleep was the fastest the site had ever seen. That’s no surprise. This album is completely flawless and if you haven’t heard it yet then you are well and truly missing out. Get it. Go and see them. Love it. 

Decade release self-titled E.P - 13th February

After a wildly successful 2011 it was almost unthinkable that Bath-based 5 piece, Decade, could make 2012 any more exciting! But never fear because February 13^th will see the release of their new, self-titled, E.P and it is a belter.  

Decade’s debut single ‘The Doctor Called (Turns Out I’m Sick As Fuck)’ (Slam Dunk Records) took everyone by storm last year and provided a solid back bone to their sets at Sonisphere, Slam Dunk and their full UK tours with D.R.U.G.S, Forever The Sickest Kids and Set Your Goals.

Any fans worried that the new E.P wouldn’t live up to this legendary status can rest assured because it certainly does. It is even more aggressive, lively and exceptionally exciting for a booming UK music scene which Decade are leading like pros.

Second track ‘Won For Sorrow’ is a perfect example of an optimistic, and long overdue, recovery from the depressing ‘Emo’ phase. Indeed Decade ARE alive and are surprisingly better then then have ever been before. Get your pop-punk dancing shoes on for this one because it will soon become the anthem to your days.  

Pop-punk has typically been the voice of it’s generation, giving an outlet for angst. ‘Home Alone’ is no exception. So bored you could die. Staring at the phone. Just please, let me sleep. What teenager doesn’t feel like this at the moment? The irony is of course that Decade is the perfect answer. Who can be bored, staring at their phone and wanting to sleep when at a beautifully pop-punktastic gig of explosive proportions? Nobody.    

Time and time again British pop-punk seems to have been defined by its number of beat downs. “Stick a gang vocal in there. I know it doesn’t make much sense or add anything to the meaning of the song but…you know…it’s pop-punk.” Not this E.P. It’s British pop-punk and it’s absolute, original, fantastic best and that is why this band is set for stardom.  

With that in mind all ears and eyes are on lead track ‘Never Enough’ which is set for video release, also on February 13^th.  

Mark down February 13^th as a very, very important date. And while you’re at it find the tour date closest to you and mark that down too. Guarantee, you won’t want to miss this tour. You’ll be kicking yourself when these boys are headlining the big-boy venues and you can’t get a ticket for love nor money.

10th Feb – Meze Lounge – Newport
11th Feb – Thekla – Bristol
12th Feb – 12 Bar – Swindon
13th Feb – The Barfly – Camden
15th Feb – The Flapper – Birmingham
16th Feb – Dry Bar – Manchester
17th Feb – The Picket – Liverpool
18th Feb – The Cockpit – Leeds
19th Feb – Liberties – Middlesbrough
20th Feb – The Riverside - Newcastle

The Doctor Called (I'm Sick As Fuck) - Official Video:
http://www.youtube.com/watch?v=UMW1UROJdQs&feature=player_embedded
It's Good To Be A Vampire - Official Video:
http://www.youtube.com/watch?v=lrhFGCfSIZo&feature=player_embedded

Online Plot for Nirvana Top Spot - SHAME

In 2009 the UK was shown the true force of the Internet when Rage Against the Machine fans showed Simon Cowell where to stick it by beating Joe McElderry to the number one spot at Christmas.


When 2011 rolled around it was only to be expected that X Factor winners, Little Mix, would be up against some stiff competition, and crazed rocker nerds came up with a fool proof plan!! Smells Like Teen Spirit was released in 1991. Cobain himself said "I was trying to write the ultimate pop song." Surely there was no better song to follow up the 2009 Rage success?

Little Mix came in at Number 5. Huzzah! Eat that Simon!!


So where were our legendary grunge rockers in this success??!


Number two? Well, no. That one actually went to Lou Monte's 'Dominick the Donkey'. Not heard of it? That's because it's 51 years old. 


So obviously the rocking heroes were number three! Again, not quite. Third spot went to Coldplay's 'Paradise' (even after Chris Martin confessed that his band 'are a sh*t Radiohead.') 


Logic prevails, then, that Nirvana purely scrapped a fantastic success in at number 4 just narrowly laughing in the X Factor's pretentious face! Unfortunately, that logic is wrong again. Flo Rida took fourth with his track 'Good Feeling'. 


Heart radio announced on Christmas Day that the well deserved top spot was achieved by The Military Wives Choir (all the proceeds go to the Royal British Legion and the Soldiers, Sailors, Airmen and Families Association, so go and download it  RIGHT now.) 


The sad truth is that Nirvana's legendary 90's grunge track, that has spoken to generations, ranked in at number 32 on Christmas Day 2011. 


Just not quite the same is it? Especially when Olly Murs grabbed number 6 AND number 22, One Direction grabbed number 21 and Labrinth picked up number 12 (the only artist signed to Simon Cowell's record label that didn't sprout from a talent competition.) 


So do Nirvana fans not care anymore?! Is that blasphemy?! What is the world coming to?! Do we need to just admit defeat to the music monopoly man?


No one can deny the well deserved victory of The Military Wive's. But it's also safe to say that rockers everywhere should probably hang their heads in shame. 

Marmozets - Passive Aggressive - EP Review

Do not be fooled. Nothing about Marmozets is ‘passive’. This band is sheer aggression, and you know what? It’s spectacular and that hasn’t gone unnoticed. Get this band in your life. It might just be essential.

Marmozets have received quite a reaction with their EP, Passive Aggressive. It’s not surprising. Who wouldn’t be excited about getting five tracks of sheer musical genius for absolutely free? It won’t be long until fans everywhere are yelling “Marmozets gave away a CD for free?! I’m so jealous!”

Opening track, Collisions, gives a perfect intro. It’s a faultless showcase of their instrumental ability and instantly gets the head banging. Thanks for that adrenaline impulse can be sent to Josh Macintyre whose extreme drumming talent is one of the instantly noticeable aspects of the EP. A word of warning, listen with caution because that head banging won’t stop until you break yourself away from this EP, and that will take a very long time.

That drumming is given nice character with intricate, clever and unique guitar tracks which may well become the Marmozets trademark.

Just when you think that there isn’t possibly anything more that this band could pull out of the bag, it happens. There is only one word to describe the vocals on Passive Aggressive and that word is, sublime. Becca Macintyre’s raspy and raw tones give well crafted lyrics something that is very different to other female fronted bands. She adds to the increasingly growing group of women who are proving that they are serious contenders in the world of rock.

Back to Blackout, is an absolute gem of a track with another world class intro brilliantly sculpted for the stage. It conjures up the images of screaming crowds and vicious fist thumping which can make the best live show.

If this is what Marmozets are producing now then it’s hard to imagine what they will come out with next. It’s a superbly made EP that may be hard to follow, but there’s no doubt that Marmozets are up to that challenge.


http://www.facebook.com/marmozets

http://www.marmozets.co.uk/

Kings & Rogues - The 100 Club - 5th August 2011 - Review

The 100 Club is legendary for hosting legendary shows before anyone believed that they were legendary. The Sex Pistols, The Clash and The White Stripes are just a few names that appeared at London’s premier music venue before they went down in music history. The 5^th August 2011 is another date to add to the impressive list as Kings and Rogues take to the 100 Club stage.

Kings and Rogues are the gathered remains of previous projects and it’s easy to see that the three-piece have used all their experience, style and talent to create a new masterpiece. Nick Drew (Vocals & Guitar), Gary Summers (Bass & Backing Vocals) and Wayne Summers (Drums) have an impressive command over their instruments and together have created something that rivals the likes of Biffy Clyro and Queens of the Stone Age.

For a relatively new band the aggression and energy that Kings and Rogues display is exceptional. They capture the crowd with intricate riffs and dominant drum tracks (which are particularly impressive). It may be impossible to not be stunned by the sheer skill of this band, which is a bold statement to make, but a fair one. A nostalgic grunge back bone brings this raw talent together and creates the sound that could fill a stadium very soon.

As they own this historic and legendary stage the word that comes to mind is beautiful. It’s passion and it’s anger and it’s very, very clever. Good things are coming for this band and it won’t be too long until every single person in The 100 Club crowd is bragging about being there on August 5^th 2011. Nick, Gary and Wayne are genuinely lovely and hard working guys and they deserve every moment of success coming to them.

Keep your eye’s peeled for Kings and Rogues because their future looks pretty damn fantastic.  

http://www.facebook.com/KingsandRogues

Next Stop Atlanta - EP Review

Next Stop Atlanta sure have made an impression here at Louder Now, and it’s no surprise. This band are exceptional and are set to take true leaps and bounds in 2011 with their debut, self titled EP, which has been played non stop at Louder Now HQ since we got our grubby paws on it.  

The EP, produced by Matt O’Grady (You Me At Six, The Blackout, Don Broco) is four tracks of pure pop-punk without compromise, brought together by a sheer determination, passion and brilliance. Opening track, ‘I’ll Catch Fire (The Gift)’ was featured on Hang Tight Records compilation album, ‘Sing Your Heart Out Loud’ earlier this year and it absolutely sparkles. A perfectly executed gang shout and ridiculously catchy guitar riff made for a shiny first video, shot and edited by Mark Forrer. This was closely followed by a second for track “Fourteennineeightyseven”, which will give you goose bumps with its gang shout of the word ‘forever’.  

Lyrics throughout this EP are brought alive by Georgia Peters’ absolutely entrancing voice. She manages to keep things fast paced and fun, just as pop-punk should be, but can still slow it down, for the stunning acoustic track “When Perfection is Key”, without missing a trick. But Next Stop Atlanta are, by no means, a one woman show as the vocals compliment well structured and bouncy guitar riffs and aggressive drum beats.

We were lucky enough to have a chat with Peters about the bands busy year ahead: “We really just try to play as many shows as physically possible, whether it be big, small, as part of a tour or just a one off! If we can play a show we'll just grab at the chance!” It’s that determination which is going to get this band to some amazing places, and by the likes of the shows they have lined up it will happen sooner rather than later.

The videos and recordings are exceptional but word on the street is that they don’t do justice to what these guys bring to the stage. Though that’s easy to imagine, there’s no reason why you can’t find out for yourself. The band has got a busy year ahead of them and Louder Now are very proud to be working alongside Next Stop Atlanta to bring the Louder Now Launch Night Showcase to Leicester’s Firebug on April 7^th 2011. You all need to get down to this show and join Next Stop Atlanta as they look forward “to strip back from the bigger venues and play something a little more intimate!”

Tickets are priced at £4 and can be reserved by contacting our Facebook loudernow@hotmail.co.uk NOW!

Feargal Sharkey Speaks at DMU

Feargal Sharkey, most famous for his role in the seventies punk rock band The Undertones, has done more for the UK’s music industry than most. After being a member of the Radio Authority for the full term of five years and earning numerous awards for his contribution to the live music industry, Sharkey is now CEO of UK Music, which protects the UK’s commercial music industry. Louder Now were lucky enough to join Sharkey as he looked back at his time within the music industry and talked about the future of live music.


Growing up in Derry, Northern Ireland, during the sixties and seventies proved to be a challenging experience that shaped Sharkey into the brilliant man he is today. Looking back at the early years he remembers “walking down the road carrying what I now know to be an anarchist flag” but maintains: “I am desperately grateful for the world I grew up in.”


It’s a bold claim to make for a man who, whilst playing a show with The Undertones in Nottingham, was told that his mother and sister were being held hostage by members of the IRA. “They had gone to visit a close family friend” says Sharkey “but the door was opened by a guy in a balaclava who said they had better come in.” The house had been taken over for use in an IRA mission and Sharkey’s mother and sister were held there until his mother found a way out by faking a heart attack. “I think at that point they thought, oh shit this is Feargal Sharkey’s mother and they called an ambulance which took them both from the house.”


His mother and father’s politically influenced lives alongside the fame and success, which allowed him to be one of the only people in Derry to own a home at the age of twenty, gave Sharkey the chance to make huge change in the industry. “The voice still works,” says Sharkey, “I still do it occasionally on a Sunday morning to annoy the kids saying, look you un-grateful kids, people use to pay for this shit!”


On why he traded the lights and glamour of showbiz for the business side of the industry he said: “Well who in the hell else was going to give me a job?!” But on his journey Sharkey has found documents and legislation that have encouraged him to make some very important changes. Not least of which are The Licensing Act 2003, which affects the ability of music venues to provide regulated entertainment as well as alcohol, and Form 696, a risk assessment form compulsory to promoters and licensees in certain boroughs of London.


As a result of the Licensing Act 2003, a venue cannot legally host a live music event without a license that clearly states it has permission to do so. Sharkey highlights the impact it has on struggling young artists who are trying to get people to take notice of them, something which is very close to Louder Now’s heart. “If I picked up a guitar now and sung a song, someone would be facing a £20,000 fine and/or a 6 months prison sentence, now would that stop a pub landlord putting a kid on stage one night? I think it might.” Despite the security and profit that can be brought to venues who hold a licence Sharkey remains adamant that the process is un-fair and damaging: “I don’t think it is healthy that someone who wants to do something as harmless as sing a song in the back of a pub has to ask permission from a local council.”


One of the most pressing issues facing the music industry today is that of illegal internet downloads which, with the closure of Limewire in late 2010, seems to have fierce action being taken against it, especially in the US. Sharkey says: “I genuinely think the Internet is an extraordinary thing. My industry has a 120 year history of disruption. For me this is just another disruption.” Memories of days when radio shows were recorded on to tapes and passed on to friends and family, and an acknowledgement that the music industry is still booming leads to a conclusion that this disruption is a fleeting one. “I think now is an extraordinary time to be a music fan. You can buy Liam Gallagher’s new album off Amazon for £3.99. £3.99? Bloody hell I can barely buy a pint of beer for £3.99!”


Feargal Sharkey is a remarkable character and with his experience, morals and sheer determination the myths and rumours of the music industries demise will remain just that, myths and rumours.