Never Hill Vocalist Adam Ross |
I lived in
Leicester for three years and I am absolutely devastated that this was the
first time I had been to Nuneaton’s Queens Hall. It’s less than an hour’s drive
from where I used to live and I’m almost positive I would have spent every
weekend there, had I known it existed. The place is insanely cool, from the
downstairs bar covered in posters and merch (some priceless, some not so
priceless at all) to the top floor backstage area painted in an intense orange.
It is a wonderfully typical local rock venue.
And on June
19th it played host to a sterling selection of local acts, all of
which were pretty impressive. But our interests were quite singular. We were
there to see Never Hill.
You might
have seen these guys before, performing under the name The Oceans Above, but around
March 2015 they rebranded. Thus, Never Hill was born and it is glorious.
We sat down
with the boys before the show and they answered some ridiculous questions from
the Louder Now Grab Bag for us. You can read that mayhem here. But if there’s
one thing that our time with Never Hill taught us, it’s that these guys pay particular
attention to detail, all the way down to their stage clothing. “It’s not that
we all HAVE to wear black…” explains guitarist Dan Thomson, “we wouldn’t say he
couldn’t play with us or anything…” We think you might consider it though Dan.
Be honest.
Never Hill Guitarist Dan Thomson |
Opening
track, Forgive Me, is taken from
their EP, Epilogue, which was
released on June 20th and is also a clear sign that this band are
going places. It’s loudly melodic, the vocals are on point and it has a ‘woah
oh’ that NEEDS to be played in a huge venue with adoring fans screaming it
back. We love a ‘woah oh’ here at Louder Now. You can see the video for this
track here, and we strongly suggest you do give it a listen.
The Nuneaton
crowd was then treated to Starting Line,
which is also from
Epilogue, and has
an astounding production value rarely seen in a band at this level. The
flawless vocals throughout the EP are paired on this track with that of Eleni
Drake which is genius because it allows for some killer harmonies and a whole
new dimension smacked into the middle of the record.
Never Hill Bassist Jake Mendham |
And whilst we’re
on the subject of drumming (well we sort of were, shut up) we are in love with
the opening to Stay Away. In fact
this whole track has been swiftly added to our summer soundtrack. Road trips,
festivals, barbecues, we’re gonna be wacking this song out all over the place
and screaming along the chorus as if we were still in Nuneaton.
Closing up
the set with Fire we are stoked we
managed to catch these guys just before the world exploded with Never Hill
Fever. If you’re one of those people who takes pleasure in saying the sentence “you
know I saw them before they were massive”, and I am 100% that person (one day I’ll
tell you about Give It A Name in 2006 when Paramore and You Me At Six were itty
bitty) then you MUST get yourself to a Never Hill show. Soon. If not
immediately (you can throw one together instantaneously right guys?)
If there was
one criticism to be made it’s that we didn’t get to hear Colours, the token slow song of the record. It would have been
incredible to see this but I suppose there’s only so much you can ask of a band
that later admitted to me that they only had a 3 hour rehearsal before the
show! That is mighty impressive lads.
I suppose
there is a lot to be said for the method of always leaving them wanting more.
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